Q1. In what does our media product use, develop or challenge in forms and conventions of real media products?
One of the R&B conventions that we have used in our music video is the wash out effect. This was done by turning down the saturation down on Final Cut Express. This is a comparison between our video and the video to Drake's song Take Care. We believe that this was an effective effect to use as it puts the emotions of the artist into greater perspective. I believe that overall this was a benefit to our video and is a good convention of R&B to use as it made the song more downbeat which is what we wanted.
Another convention of R&B that we have used is narrative. This effective in R&B music as it shows the struggles that people have and this is what we wanted to portray in our video. In Professor Green's video read all about it there is narrative of the struggles of a young boy. In our video we wanted to portray the struggles of a girl who is wanting to achieve her dream of becoming a professional dancer. This convention is a benefit as the use of cross cuts between our artist and our character is reminding the audience the meaning of the lyrics.
A convention of R&B that we have developed in our video is the one of the artist wearing smart and expensive clothing. The use of smart and expensive clothing shows the success of the artist and how they have made 'the big time'. An example of an artist that dresses in wealthy clothing would be Ne-Yo. We have chosen to develop this as by using clothing that is not as expensive and doesn't show the artists wealth. This is because it continues to show the re-occuring theme of the struggle from poverty to wealth.
Another convention of the genre that we had chosen to develop is the way in which the artist sings the lyrics about the character in the narrative. In the Script's Hall of Fame video the artist is singing about the characters in the narrative and it is shown by the cross cuts between the performance and narrative. We had developed this by introducing a split screen effect where the performance and narrative were on the screen at the same time. I believe that this is effective to our video as it shows the audience the relationship between our performance and our narrative.
One of the conventions of R&B that we have chosen to challenge is the one of a love story. We have decided to base our song on the meteoric rise from poverty to affluence. An example of an artist that uses love in the majority of their songs is Usher. The reason that we had challenged this convention is due to the lyrics of the song. Challenging this convention has benefited the music video as it makes the narrative emphasised more.
Another convention that we had chosen to challenge is the age of our female character in the narrative. Typically the female character part of a R&B music video is of the age groups 25-30. This would be so that the target audience (17-24) can aspire to being the female character in the music video. Instead of this, we had chosen to use a school girl as our female character. This is a benefit as it would connect with our audience and give them the opportunity to realise how hard teenagers work for their dreams.
Q2. How effective is the combination of your main product and ancillary text?
Q3. What have we learnt from our audience feedback?
Q4. How did you use media technologies in the construction and research, planning and evaluation stages?
Friday, 21 December 2012
OUR MAGAZINE ADVERT
In our magazine advert we have stuck to the conventions of the other adverts seen. Except for, we did not use a shot that had the artists complete face in the shot. However, we did include an image of the album. This way the audience will recognize the album when they see it in the shop or Itunes. We had included a QR code. This was due to the rise in new technology and QR codes are becoming more popular so that the audience can get directed straight to the artists web page. However, if the audience does not have access to a QR scanner then we have included the web page and twitter page of the artist so that they have another way to access the artist. We had also included reviews from R&B magazines and highly regarded newspapers, this would encourage the audience to think about the artist and, if they choose to, listen to the recommendation.
Wednesday, 19 December 2012
CHANGES FROM OUR ROUGHCUT
From our roughcut to our final video we had made many changes in it. Such as using the split screen effect, this was effective as it shows synesthsia. This is good as it gives the audience the opportunity to relate the lyrics with what is happening in the video.
Tuesday, 18 December 2012
ORIGINAL DIGIPACK PHOTOS
1. 2. 3.
4. 5.
This is a selection of the original photos that we had used for our digipacks. We had found these effective as it shows the conventions of R&B with the poses that are used throughout (Such as picture 5). Also picture 1 shows to be effective as it is the artist looking into the camera directly at our audience. This would make the audience members feel as though they are in contact with our artist.
4. 5.
This is a selection of the original photos that we had used for our digipacks. We had found these effective as it shows the conventions of R&B with the poses that are used throughout (Such as picture 5). Also picture 1 shows to be effective as it is the artist looking into the camera directly at our audience. This would make the audience members feel as though they are in contact with our artist.
Tuesday, 11 December 2012
AUDIENCE FEEDBACK
does the song relate to the visuals ??
.yes emotional
.not really the visuals do not really fit the lyrics
.yes
.no it wasn't about money
.yes simple but effective
.yes song goes with the video
.yes worked hard ballet dancer always practicing
.yes the lyrics relate to the situation she is in
.yes the girl is trying to dance even though she is troubled
.yes the words match the visuals
What impressions are you getting of our artist ?
.determined
.that he had a struggle , and a lot of emotions
.that he is motivated by money
.that has had a hard life
.hardcore because of the set
.Gangster
.a very personal performance
. has been through the problems that the song is about
.calm collected
.meaning full
How far is the video an r&b
.very far
.looks like an r&b video
.it is quite representative of r&b
.its very " street"
.yes very especially the clothes he is wearing
. yes very typical r&b lay out
.very fits the classical characteristics of an r&b videos
. similar to typical r&b videos
.a little bit
.not really
Do you have any criticism
.maybe a change is needed when the music tempo picks up
.i don't really understand why the girl was doing ballet
.story of the video isn't to clear
.could be a bit more upbeat
.no its great
.no
.the video doesn't fit the lyrics
.better lighting
.could link a bit better with the video
.no it was very well put together.
.yes emotional
.not really the visuals do not really fit the lyrics
.yes
.no it wasn't about money
.yes simple but effective
.yes song goes with the video
.yes worked hard ballet dancer always practicing
.yes the lyrics relate to the situation she is in
.yes the girl is trying to dance even though she is troubled
.yes the words match the visuals
What impressions are you getting of our artist ?
.determined
.that he had a struggle , and a lot of emotions
.that he is motivated by money
.that has had a hard life
.hardcore because of the set
.Gangster
.a very personal performance
. has been through the problems that the song is about
.calm collected
.meaning full
How far is the video an r&b
.very far
.looks like an r&b video
.it is quite representative of r&b
.its very " street"
.yes very especially the clothes he is wearing
. yes very typical r&b lay out
.very fits the classical characteristics of an r&b videos
. similar to typical r&b videos
.a little bit
.not really
Do you have any criticism
.maybe a change is needed when the music tempo picks up
.i don't really understand why the girl was doing ballet
.story of the video isn't to clear
.could be a bit more upbeat
.no its great
.no
.the video doesn't fit the lyrics
.better lighting
.could link a bit better with the video
.no it was very well put together.
Wednesday, 28 November 2012
FILMING
Over the process of filming we had experienced some problems with our shot list. We had made mistakes when it came to our shot list and despite sticking to certain parts of it we had changed a significant amount of shots on site.
We had done this because we had found ways to make a more effective shots. We believe that these shots have made the conventions of R&B seem to be portrayed in a better form throughout our video.
We had done this because we had found ways to make a more effective shots. We believe that these shots have made the conventions of R&B seem to be portrayed in a better form throughout our video.
Tuesday, 20 November 2012
ADVERT RESEARCH
Here are some magazine adverts that I have found that represent conventions of R&B and other similar genres.
In these magazine adverts we see the artists whole face. This would be so the audience would recognize the artist when they see other products of the artist. As well as this we see that thee artists name is in the largest font and is clear to read. Once again this would mean that the audience will be able to recognize the artist in the other products they see. Another convention seen is that there a list of songs included in the album, except for Jay Z's advert.
Sunday, 18 November 2012
Thursday, 25 October 2012
OUR IDEAL TARGET AUDIENCE
Based on our secondary research from websites such as facebook, youtube and quantcast, we have found a pattern in audience members of many R&B artists. These figures are not conclusive however we believe that our ideal audience member will be:
- Between the ages of 18-24, however there are also 13-17 year olds that would take an interest
- Predominantly, the female population are seen to be the gender that listens to R&B music the most
- Figures from quantcast show that the ethinic minority that listen to R&B music are afro american. Unfortunately there is no other source in our research that could back this up
Wednesday, 24 October 2012
LYRICS TO OUR SONG
Joseph SoMo The Morning Lyrics
(Verse 1)
From the morning to the evening, complaints from the tenants, got the walls kickin like they six months pregnant
Drinking Alizé with our cereal for breakfast, girls calling cabs at dawn quarter to 7:00
Skies getting cold, flying from the north, rockin with our city like a sold out show
House full of pros that specialize into hoein, make that money rain as they takin off they clothes
Order plane tickets, Cali is the mission, visit every month like I'm split life living
Let the world listen if a haters caught slipping then my singers stay tight
Got my back like pippin, fast life grippin, yeah we still tippin
Codys keys paint a picture so vivid, fakes try to mimic, get girls timid, but behind closed doors they get oh so rigid
(Chorus)
All that money the money is the motive, all that money the money is the motive, all that money the money she be foldin
Girl put in work girl, girl put in work, girl put in work girl, girl put in work, girl put in work
(Verse 2)
Push it to the limit, push it through the pain, I push it for the pleasure like the virgin to the game
A virgin to that money, a virgin to the fame
So this my only chance and when I'm over only pray that I flow from the bottom, closer to the top, the higher that I climb, the harder I'ma drop
These pu**y a** singers tryna hold on to their credit so I tell them use a debit watch they image start to lessen I warned 'em like discretion
Why these singers testing, always fu**ing testing, why these singers testing
Sh*t that I got them on straight bar hopping to the music of the ambiance, get sh*t popping
Zombies of the night, singer’s aint talking, if they hyping to the crew get it in like pockets
Downtown loving, when the moon coming, only place to find base heads, and hot women
(Chorus)
Better slow down, she'll feel it in the morning, aint the kind of girl you'll be seeing in the morning
Too damn raw aint no singer worth her holding, aint no singer that she holding man her love is too damn foreign
(Chorus x2)
DRAKE - FRONT COVER DIGIPACK ANALYSIS
On the front of this CD cover e see that the artist is surrounded by many gold items. He is also wearing a lot of jewelry that is gold these items show conotations of wealth which is one of the conventions of R&B. The font on the front cover is a signature type font. This would make the audience feel like they have got a personal signature of the artist on their CD cover. The parental advisory logo at the bottom corner of the CD cover, this shows that there is a bad side to the artist. This once again sticks to the conventions of R&B.The pose of the artist shows thoughtfulness, however there is sex appeal being shown by his facial expression.
The back of the cover the connotations of wealth continue to be shown as the gold colours. The postioning of the song list is centered. This is effective as it is directly at the centre of the audiences attention.The colour scheme is effective as there is a contrast between the two colours which means that they are easy to spot.
The back of the cover the connotations of wealth continue to be shown as the gold colours. The postioning of the song list is centered. This is effective as it is directly at the centre of the audiences attention.The colour scheme is effective as there is a contrast between the two colours which means that they are easy to spot.
Tuesday, 23 October 2012
OUR CHARACTER'S COSTUME
These are some more pictures of the girl we are using in our R&B
video for the ballet dancing scene. This is the costume she will be
wearing for the dance scene of the video. We have chosen this outfit as
it is simple but clearly portrays she is a ballet dancer.
OUR SHOT LIST
SHOT
|
SHOT TYPE
|
SHOT DESCRIPTION
|
TIME (4:32)
|
Shot 1
|
· Establishing shot
|
Establishing shot of TV (crackled)
|
0:00 – 0:08
|
Shot 2
(Warehouse)
|
· Close up shot of artist
· Cross fade
|
Close up of artist in location 1 (warehouse) posing
|
0:08 – 0:13
|
Shot 3
(Drama Studio)
|
· Establishing shot
· Cross fade
|
Establishing shot of artist on TV in warehouse. Starts singing.
|
0:13 – 0:20
|
Shot 4
(Bedroom)
|
· Establishing shot
· Pan left or right
|
Establishing shot of girl sat on bed looking upset (smudge mascara?)
|
0:20 – 0:25
|
Shot 5
(Warehouse)
|
· Long shot
· Direct on
|
Long shot of artist singing into camera
|
0:25 – 0:29
|
Shot 6
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
0:29 – 0:32
|
Shot 7
(Warehouse)
|
· Long shot
· Direct on
|
Long shot of artist singing into camera
|
0:32 – 0:35
|
Shot 8
(Bedroom)
|
· Close up
· High angle
· Pan left or right?
|
Close up of character. Once again crying (smudged mascara?)
|
0:35 – 0:37
|
Shot 9
(Warehouse)
|
· Close up
· Direct on
|
Close up shot of artist singing into camera
|
0:37 – 0:40
|
Shot 10
(Bedroom)
|
· Close up
· Slow mo?
|
Close up shot of mother shouting
|
0:40 – 0:44
|
Shot 11
(Warehouse)
|
· Long shot
· Direct on
|
Long shot of artist singing into camera
|
0:44 – 0:49
|
Shot 12
(Warehouse)
|
· Close up
· Direct on
|
Close up shot of artist singing into camera
|
0:49 – 0:50
|
Shot 13
(Bedroom)
|
· Close up
· High angle
· Pan left or right?
|
Close up of character. Once again crying (smudged mascara?)
|
0:50 – 0:53
|
Shot 14
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
0:53 – 0:58
|
Shot 15
(Bedroom)
|
· Close up
· Low to High angle
|
Character jumps up and shouts back at Mother
|
0:58 – 1:02
|
Shot 16
(Bedroom)
|
· Mid shot
|
Character walks away from camera past mother and out the door
|
1:02 – 1:04
|
Shot 17
(House)
|
· Long shot
· Low angle
|
Character quickly making way down stairs
|
1:04 – 1:07
|
Shot 18
(Warehouse)
|
· Close up
· Direct on
|
Close up of artist singing into camera
|
1:07 – 1:11
|
Shot 19
(House)
|
· Close up
|
Close up of a set of keys being taken by the character
|
1:11 – 1:12
|
Shot 20
(Park)
|
· Long shot
|
Long shot of character walking through park with trees either side
|
1:12 – 1:15
|
Shot 21
(Warehouse)
|
· Long Shot
· Direct on
|
Long shot of artist singing into camera
|
1:15 – 1:17
|
Shot 22
(Studio)
|
· Long shot
|
Character walks through door into studio
|
1:17 – 1:21
|
Shot 23
(Studio)
|
· Close up
· Pan left
|
Close up of character hiding her emotions
|
1:21 – 1:24
|
Shot 24
(Studio)
|
· Mid shot
|
Character takes first two steps of dance
|
1:24 – 1:25
|
Shot 25
(Studio)
|
· Long shot
|
Character goes to do the leapey thing
|
1:25 – 1:27
|
Shot 26
(Studio)
|
· Low angle shot
· Slow mo?
|
Character does the leap over the top of the camera
|
1:27 – 1:29
|
Shot 27
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
1:29 – 1:35
|
Shot 28
(Warehouse)
|
· Long shot
· Direct on
|
Long shot of artist singing into camera
|
1:35 – 1:44
|
Shot 29
(Warehouse)
|
· Close up
· (Direct on)
|
Close up of artist singing into camera
|
1:44 – 1:48
|
Shot 30
(Studio)
|
· Close up
|
Character taking a drink whilst sat on the floor
|
1:48 – 1:50
|
Shot 31
(Studio)
|
· Long shot
|
Character feeling ankle, in pain
|
1:50 – 1:53
|
Shot 32
(Studio)
|
· Over shoulder of character
· Low angle
|
Character walks out studio past another performer, other performer looks down her nose at the character
|
1:53 – 1:55
|
Shot 33
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
1:55 – 2:02
|
Shot 34
(Warehouse)
|
· Close up
· Direct on
|
Close up shot of artist singing into camera. Put hands together when ‘praying’ is said
|
2:02 – 2:09
|
Shot 35
(Bedroom)
|
· Mid shot
|
Character is sat on bed looking emotional
|
2:09 – 2-11
|
Shot 36
(Bedroom)
|
· Close up
|
Close up of character revealing more emotions
|
2:11 – 2:13
|
Shot 37
(Warehouse)
|
· Long shot
· Direct on
|
Long shot of artist singing into camera
|
2:13 – 2:18
|
Shot 38
(Studio)
|
· Close up
|
Close up of character taking a deep breath
|
2:18 – 2:19
|
Shot 39
(Studio)
|
· Mid shot
|
Character takes first few steps into dance routine
|
2:19 – 2:22
|
Shot 40
(Warehouse)
|
· Long shot
· Direct on
|
Long shot of artist singing into camera
|
2:22 – 2:27
|
Shot 41
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
2:27 – 2:31
|
Shot 42
(Studio)
|
· Mid shot
|
Character continues to dance
|
2:31 – 2:34
|
Shot 43
(Studio)
|
· Long shot
|
Character continues to dance
|
2:34 – 2:39
|
Shot 44
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
2:39 – 2:43
|
Shot 45
(Studio)
|
· Close up
|
Close up shot of character taking a drink then moving hair
|
2:43 – 2:47
|
Shot 46
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
2:47 – 2:52
|
Shot 47
(Warehouse)
|
· Close up
· Direct on
|
Close up of artist singing into camera. Artist points to sky
|
2:52 – 2:55
|
Shot 48
(Studio)
|
· Long shot
|
Character dancing
|
2:55 – 2:59
|
Shot 49
(Studio)
|
· Mid shot
|
Character dancing
|
2:59 - 3:08
|
Shot 50
(Warehouse)
|
· Close up
· Direct on
|
Close up of artist singing into camera
|
3:08 – 3:12
|
Shot 51
(Studio)
|
· Mid shot
|
Character finishing routine
|
3:12 – 3:17
|
Shot 52
(Studio)
|
· Close up
|
Close up of character feeling exhausted
|
3:17 – 3:21
|
Shot 53
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
3:21 – 3:25
|
Shot 54
(Studio)
|
· Close up
|
Close up of character looking tired and looks away from camera
|
3:25 – 3:29
|
Shot 55
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
3:29 – 3:33
|
Shot 56
(Studio)
|
· Close up
|
Character looks past the camera towards the door and smiles
|
3:33 – 3:37
|
Shot 57
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
3:37 – 3:46
|
Shot 58
(Warehouse)
|
· Close up
· Direct on
|
Close up of artist singing into camera
|
3:46 – 3:50
|
Shot 59
(Studio)
|
· Close up
|
Character takes a deep breath
|
3:50 – 3:51
|
Shot 60
(Studio)
|
· Mid shot
|
Character takes a set up stance
|
3:51 – 3:54
|
Shot 61
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
3:54 – 4:02
|
Shot 62
(Studio)
|
· Long shot
|
Character begins dance with enjoyment
|
4:02 – 4:07
|
Shot 63
(Studio)
|
· Close up
|
Close up of character in motion with a smile
|
4:07 – 4:08
|
Shot 64
(Warehouse)
|
· Mid shot
· Direct on
|
Mid shot of artist singing into camera
|
4:08 – 4:11
|
Shot 65
(Warehouse)
|
· Long shot
· Direct on
|
Long shot of artist singing into camera
|
4:11 – 4:15
|
Shot 66
(Warehouse)
|
· Close up
· Direct on
|
Close up of artist singing into camera
|
4:15 – 4:19
|
Shot 67
(Studio)
|
· Mid shot
|
Character finishes routine
|
4:19 – 4:24
|
Shot 68
(Studio)
|
· Close up
|
Character looks to door again and smiles
|
4:24 – 4:25
|
Shot 69
(Warehouse)
|
· Mid shot
|
Mid shot of artist singing into camera. Final pose
|
4:25 – 4:27
|
Shot 71
Warehouse
|
· Establishing shot
|
Shot of crackled TV
|
4:27 - 4:32
|
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